In this chilly, pastel-tinted, award-winning import from Russia (awkward
English captions), our 2013 Seattle International Film Festival
audience was treated to "Doch," an exciting, involving and
ultimately satisfying drama. A small town is beleaguered by a serial
killer who kills young teenage girls with a single fatal blow to
the head: no rape, no torture, no robbery. Each has traces of alcohol in
her system.
We join a young teenage girl who makes friends with a
sassy newcomer, a more worldly classmate who smokes, drinks, and shocks
her with a pornographic magazine. Our girl's mother died of an
accidental overdose of pain medication, so our young heroine capably
maintains the house- hold: cooking, cleaning, and caring for her
three-year-old brother. Their father is a hard-working baker who intends
to marry a widowed immigrant so she can get her papers and keep her job
at the bakery.
We become acquainted with a detective who is
frustrated by his failure to catch the killer, he is dogged by a young
law-enforcement colleague who wants to be the one credited with solving
the case. In addition, we meet a minister, his wife, and their teenage
son who catches the eye of our two girls at school.
Directed by
Alexander Kasatkin and Natalia Nazarovna, this beautifully textured film
feels authentic in every aspect, from the tasks the girl must do in her
house, the behavior of her classmates and most impressively (to me),
the completely natural performance of the three year old. That little
guy's dialogue is appropriate, his actions are typical and I was
convinced I was seeing the real thing.
We must ponder the
inviolability of the confessional: If a killer confesses, must the
confession be kept a secret? We also wonder if a suspect is brought into
custody, is the arresting officer responsible for his safety? We question the idea that a sweet little boy is better off in a foster home
rather than with his capable sister.
This is one of my favorites so far in the 2013 Festival. No trailer available yet, sorry....