We start in Sao Paulo, 1978, with the prostitute and her maid, but after a client dies, they quickly hop into a Volkswagen and head out for Rio de Janeiro. As things escalate we become aware of the military dictatorship that has the country in a stranglehold and what some of the citizens are doing about it. In addition, we watch a man receive his father's ashes from a mortuary and we see a teenager who is at odds with his father because Papa "hates fags."
Some things stood out:
- Throughout this film, Director Odilon Rocha made extremely clever use of mirrors.
- Excellent performances, particularly Vanessa Giácomo as the prostitute, and Claudia Ohana as the maid.
- The worst captions I've ever seen (and I watch telenovelas!). The contrast is consistently poor, so the captions are almost unread- able.
- It's funny when the diplomat dumps his father's ashes on the teenager who is sunbathing on the beach below.
- Watching an actor or actress transform from one persona to another is always satisfying. Watch the prostitute and the maid.